| No,
you aren't having a bad dream; Chrysler actually produced a car called
La Femme. I opted to include this little gem because it fits the profile
of so many "specialty cars" of the day; weird colors, weird
interiors, weird theme, and no sales. Chrysler Corporation over the
years seemed to produce more than their share of cars nobody wanted.
Today, these orphans previously shunned by the buying public are worth
lots of money.

In
1955, Chrysler had a brilliant idea which was
designed to sell cars to women, 95 percent of whom were unemployed
housewives who had to convince their husbands to buy this thing for
them. Not a good move, because hubby might actually have to drive the
car himself some day, and no red blooded 1955 American man wanted to be
seen tooling about in a pink car called "La Femme."

Unlike the D500, which targeted men
who had incomes, this particular brainstorm would fall flat on its face.
It would create another small sector of future collector
cars based upon the seemingly never ending Chrysler theme of
"let's build something nobody wants." It's amazing that the
same company that produced the 300, Fury, and D500 could come up with
something like this.

It certainly was unique, I'll give them that, but
it was also about 50 years ahead of its time. Today, the guys from
"Queer Eye for the Straight Guy" might like this car, but in
1955? No dice. Also no sales. Few were sold in the car's two
year run. Figures vary, anywhere from 300 to 2500. Dodge didn't keep
track, so good luck. I think if 2500 were sold, they'd have kept it
going. No La Femmes were ordered with the D500 option, which is a
real mystery, huh.
The short life of the La Femme came as a shock to
Chrysler and Dodge executives, who must have been into the JD the day
they dreamed up this one.

In 1954, Chrysler was certain it was on to
something (maybe a bong) when it unveiled "his and hers" cars at
the Chicago auto show. There was a bronze and black two-door hardtop called Le Comte,
(French for bankrupt) and its feminine
counterpart La Comtesse, which came with a ''gorgeous two-tone exterior of Dusty Rose with a Pigeon Gray top.'' Pigeons? A French name?
Come on. Aren't you the same guys who came up with Bendix Fuel
Injection? Please. We've had enough.

So, apparently, had customers. Crowds at the Chicago and New York shows were impressed enough with La
Comtesse and its platinum brocatelle fabric interior to encourage
Chrysler to come out with a car specifically for women the next
year. It is rumored that these people were either very drunk or GM
plants designed to make Chrysler do something incredibly stupid, like
actually build this creation.

You guessed it, they built it, and it flopped,
(you're kidding!) and with it went Chrysler's last attempt to go after the
nonexistent women's market, although this stupidity had already been
in play and would be picked up again by GM. A quote: ''Rightly or wrongly, women associate cars with positive images of
masculinity and power,'' said Virginia Scharff, author of Taking the Wheel: Women and the Coming of the Motor
Age. "Given a choice between a La Femme and a Barracuda, they'll choose the
Barracuda.'' Given a choice between a La Femme and a bus, I'd take the
bus.

The Dodge La Femme was produced by Dodge
division during 1955 and 1956. It came from Chrysler's marketing department's observation that more and more women were taking interest in automobiles during the 1950s, and that women’s opinions on which color car to buy was becoming part of the
decision making process for couples buying an automobile. The La Femme
was an attempt to gain a foothold in the women's auto market. What
they failed to realize was that 1955 housewives had no money, hence
there was no
market, and that their husbands wouldn't be caught dead in a pink car.
Oh well, you can't always get it right.

The La Femme concept was based upon the aforementioned Chrysler show cars from
1954, Le Comte and La Comtesse. Each was built from a
Chrysler Newport hardtop body and given a clear plastic roof
over the passenger compartment. Bad idea if the sun was out,
because AC wasn't readily available back then. I think they called this
the "cook me alive in July" option. While the Le Comte was designed using masculine colors, the La Comtesse was painted Dusty Rose and Pigeon Grey in order to convey femininity. See "concept
cars" for pix.
The 1954 La Comtesse was described by a Chrysler press
release:
"Chrysler's exotic new plastic top car, presents a gorgeous two-tone
exterior of dusty rose with a pigeon gray top. The interior is
luxuriously finished in cream and dusty rose leather with seat back
inserts of platinum brocatelle fabric. Interior appointments are set
off by specially-designed chrome hardware. A long, low note is provided
by heavy chrome molding running along the lower body of the car from
the front wheel openings to the rear bumper. A continental tire mount
and chrome wire wheels add to the car's smart appearance. La Comtesse
is built on a New Yorker Deluxe Newport chassis and is powered by a
235-horsepower Chrysler FirePower V-8 engine and features
fully-automatic PowerFlite transmission, power steering and power
brakes plus Chrysler's high-roll front suspension for easier handling
and improved roadability."
Dodge received the project and renamed the concept La Femme.
It was a 1955 Dodge Custom Royal Lancer hardtop $143.00 option
with Sapphire
White and Heather Rose paint. The exterior received special
gold colored scripts that replaced the standard Custom
Royal Lancer scripts on the front fenders. (1956 shown)

La Femme interiors were upholstered in a special tapestry material featuring
pink rosebuds on a pale pink background and pale pink vinyl trim. Oooh!
I can't stand myself. The La Femme also came with a rectangular purse coordinated
to the
interior. The purse could be stowed in a special compartment
built into the back of the passenger seat. What, no Liberace records? He
was big back then. Each purse was outfitted with
a compact lipstick case, cigarette case, lighter and change purse, all designed and made by
“Evans." We don't know who Evans was, but we're watching for him.
Actually, he made some stuff for the El Dorado Brougham as well. Can you
picture some poor guy just back from the Korean war having to take this
thing to work because his 300 was in the shop?

On the back of the driver's seat was a compartment that contained a
raincoat, rain bonnet, and umbrella coordinated to match the
rosebud interior fabric. Dodge marketing brochures for the La Femme
stated clearly that the car was made "By Special Appointment to Her
Majesty... the American Woman." Her Majesty? Give me a break.
Similar vehicles nobody bought included the pink Pontiac Parisienne, (the concept car
was black, sorry, the inside was pink, though)

Chevrolet Impala
Martinique convertible, designed by Jeanette Linder (never saw one of these, either)

and the 1959 Cadillac Eldorado Seville
Baroness by Sue Vanderbilt, (sorry, no pix, guess nobody bought one)
Ruth Glennie's Corvette Fancy Free,

and the Marjorie Ford designed 4 door
PURPLE Buick Shalimar. No pix there
either. Seems GM had to learn their lesson, too, by producing these
feminized cars nobody wanted. Saxony, Tampico, Rendezvous,
Carousel, Bordeaux, and Polaris were the other names of the Motorama
cars designed by Harley Earl's Damsels of Design, as they were
known.

Dealers held at gunpoint said of the La Femme: "The crowning touches which personalize the La Femme are its special
feminine accessories. Two compartments located on the backs of the front seats are upholstered in Heather Rose Cordagrain." (What the
hell is Cordagrain? Is that anything like Corinthian leather? I want
Ricardo Montalban to straighten this out) "The compartment on the driver's side contains a stylish rain cape, fisherman's style rain hat, and umbrella which carry out the Jacquard motif. The other
compartment holds a stunning shoulder bag in soft rose leather. It is
fitted with compact, lighter, lipstick and cigarette case."

Stunning, huh? Okay, let's leave that one
alone for now.
The car received a makeover in the second year of production. The car was now
wrapped in a ''queenly cloak of two-toned purple'' (Misty Orchid and Regal Orchid)
but the new color scheme (worse than the 1955 colors) failed to move La
Femme off the showroom floor, and the model was mercifully
cancelled.
Tony Lindsey, a self-styled La Femme historian and former owner of
the car, said he had only been able to track down 26 of the
cars. Good luck Tony, keep looking.
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